View from a Train, from a Table

VIEW FROM A TRAIN, FROM A TABLE

January 14th

On the train, moving through Trenton

at twilight, I see the bleak back of the city.

The houses we pass are dark, waiting.

The office buildings are emptying of

workers and shirkers,

or have emptied, and darkened,

have the night to themselves.

Everyone is on the move--

sheltered in cars or buses,

or on foot, rushing toward warmth.

I’m snug, and somewhat smug,

as I move toward New York with a seat

to myself, wearing my best black coat.

January 15

Even my cousin’s steam-heated apartment

is chilly as we drink strong coffee

at the table by the window.

We eat English muffins spread with tart lemon curd

and her warmth sustains me.

On this six degree morning we see an arctic Hudson.

There will be no ferry to New Jersey today;

they are ice-locked and idle.

The sun is just for fun, and might

as well have the day off

for all the heat it provides.

Without the crisp blue sky,

the scene would be

of an unbearably

gray, cold palette.

My fragile optimism

would fail me

if there were

no sun today.

Amy Gets Help

Amy Gets Help

Gently placing the gingerbread man with the others, Amy pictured Langston’s long face peering through the icy windowpane, waiting for her to arrive with the promised basket of baked treats. As she turned away from the fragrant cookies to hang up her apron, she heard a tiny voice call to her.
“Amy, keep us. Keep us, please. Don’t let him eat us!”
“Oh, no! They’re talking again!” Amy pulled a ladder-backed chair away from the old table, slumped onto it, and buried her face in her hands. After a few moments of quiet, she raised her head, and after a few more, she opened her eyes. Nothing moved. Amy stood up, took her bonnet from its hook, tied the ribbons under her chin, wrapped her cape around her, and while trying not to look at it, picked up the basket. Her fiancé and his guests were expecting her. If she walked quickly, she could still be on time. The Potts house was only over on Fillmore Street.
Just as she went down the last step of her back porch, a squirrel dropped out of the oak tree alongside her path.
“Langston Potts cooks us in stews, you know,” the squirrel chattered. “He devours every single thing he can. He’s a greedy, needy man.”
Amy missed her footing and sprawled on the hard December ground. She was struggling to sit when one of the gingerbread men escaped from the dropped basket and ran away with the squirrel. Her neighbor’s barking dog flashed by her, then, apparently satisfied that the runaway cookie and his new friend were truly gone, trotted back to the young woman.
“My dear, it’s clear that you can’t marry that man,” Collie said. “He’s mean and he’s lazy and you’re surely going crazy.”
“Am I? Is that why everyone and everything is talking to me?” I don’t think I can bear another minute of it.”
Collie arranged herself beautifully on the brown grass, and beautifully rolled her eyes. “Oh, really! Can there be any doubt? Do cookies, squirrels, dogs, and yes, I know about the Blue Jay early today, talk to perfectly normal women?”
Amy scootched closer to Collie and put her arm around the dog’s neck. “No, they don’t, but I must say I’m rather glad you all do, now that I’m a bit more used to it. But you see, I have to marry him. That’s all there is to it. I’m all alone now that Mother’s gone, my money won’t last long at all, soon I’ll be old myself and all shriveled up, and even if all he wants is a nurse and a cook like the Blue Jay said, and he’ll boss me around all day and all night, what else am I going to do?”
The marmalade cat across the street joined them while Amy was talking, and curled up in the tearful woman’s lap. The ground was cold, but neither Collie nor Amy seemed to mind. Marmalade never sat directly on dry winter grass if he could help it.
“You’d be better off dead than living with that rat,” the cat said. “His whole family is a ratty family. Animal haters, they are. I should hope you know that people who hate us hate you, too. You do know that, don’t you?”
“I suppose I do. Or at least…I suspected. But I wouldn’t be better off dead. Oh, my dears, would I?”
Collie, not one to agree too readily with a cat, crossed her pretty paws and paused a moment before answering.
“I concur with Cat. The man is a snake. Life as his wife is a dreadful idea. Yes, dead would be better. Take our word for it. We know.”
“Oh, you are sillies. I’m perfectly healthy. I’m not going to die between now and Saturday. Why would I? How could I? I’d better get up and go on. I’ll take him my baking. These that are left are quiet at least.” Amy pushed herself up and brushed herself off. “Thank you for trying help. I think you might be right about dying, but never mind. I promised him, you see.”
Amy walked down her path and turned into her street, April Lane. There was only one motor car in town so far, but this car had heard the whole conversation between Amy and the animals, and just as his owner thought, he had a mind of his own. So, he started up with a growly shout, and ran her down.
Just like that, she was dead. She was better dead than married to that rat, Langston Potts, but that’s another story.

Nina

(Think summer.)

Art Coop

Nina, wearing a Mexican-flavored dress with a flounced voile skirt, fanned herself with a brochure about the Art Coop, sucked an ice cube, lolled in the armchair they’d given her when she’d first arrived. She’d been the warm-up act, the only poet, for the night’s open-air performance. Nina thought about removing her wide leather belt but didn’t want to make the effort. She was all but done in by heat, humidity, by August in Florida.

The second musician, who was a kid dressed in a plain black t-shirt and low-slung, baggy jeans, finally started. He sat on a low chair inches from Nina’s sandaled feet. She wasn’t expecting much. His teenaged girlfriend had been an annoying chatterbox since they’d sat down.

After a few nervous, jokey remarks, the boy checked the tuning of his glossy black guitar and played the first of several original, solo instrumentals. Nina closed her eyes and laid her head back against the scratchy fabric of the old chair. All the stuff taking shots at her that night- her drunken AWOL brother, her chest pain, the surprise of a friend’s rude behavior, discovering, mid-read, that she had the wrong version of a poem in her hands-disappeared. Nina swam through a cool sea of guitar notes, afloat and happy with the luxury of listening to extravagant talent on a steamy summer night.

Giving Care

GIVING CARE

Up in the attic yellow elephants, who love to go places, dance tail to trunk on my well-worn suitcases. They wear square hats on their heads and gold rugs on their backs. Exotic flowers and bits of squiggle are printed all ‘round the red cloth background. I’m afraid they feel dreary with the dust and the motes, the awful old smell of boxes and bags of who knows what, that’s been who knows where, and besides, there’s barely any air up there.

Neglected, yes, but it can’t be helped. My life’s in a time when I’m sore needed and I’ve happily heeded, but those cases are sad. I think they’d say the blame’s on me-these years that they’ve been up and I’ve been down in this quite nice house. At least they’re close to one another. One’s snug right inside the other.

They are meant to go. They can roll, you know. Inside them are pockets, zippers, and netting for keeping my shampoo and small things from slipping. They’d grown used to my clothes, their scents and their folds. They hate the wait. I know they do ‘cause I do too. Yet, I dread the day we can again go play. Before we can leave, I’ll have had to grieve.

We will go again, to Argentina or Spain. I’ll unpack in Venice, within sight of San Marco. We might take a boat to Tierra del Fuego. We’ll go to Scandanavia, Istanbul and Moravia. Take ferries and trains, drive on highways and lanes, and when we stop for breath, I’ll mourn Dad’s death. Near a sea’s cool blue calm, I’ll mourn again for Mom.

In Your Face, Man

What was I thinking? Of course this is what Adam Lambert wants to do. He was born in 1982! Pop music performances have been about flash, shock, bumping and grinding and techno-wizardry since he was a baby.

I watched the American Music Awards last night. Yup. The whole thing. Glambert’s act, and I do mean act, was the finale. It was interesting, and certainly busy, and Adam and the dancers were intense and energetic as hell. But most of them seemed really angry for some reason. Maybe I misunderstood, but since I couldn’t make out the lyrics, I went by the facial expressions, costumes, choreography, noise, stuff like that. Other acts were furious, too, though. Lady GaGa killed a piano. Dunno why.

JayZ and Alicia Keys did that neat New York song. I liked that and I understood that it was meant to connect to the audience and it did. Seemed like everyone had a good time during that one. But later on, when Alicia Keys did her single, her piano got lifted into the air with wires. I think it may have spun, too. Odd, that.

Jennifer Lopez had a prize-fighter thing going on for awhile, then she did a tricky on-stage costume change to a gold mini-dress with wide hips à la 18th century hoop petticoats. Or, maybe it was a Star Trek reference. Poor lady fell on her bottom. Given what the choreographer was going for with that move, I’m not surprised J Lo blew it.


Whitney Houston didn’t try to dance around, but she had this supposedly spontaneous moment of being too overcome with the adulation she was receiving, for finally getting her act together, to continue singing. The pause would have seemed less engineered if all the strings and what-not hadn’t stopped on a dime when she did. They knew just when to start up again, too.


You know who I liked? I liked Green Day. They played their instruments and sang their song. Oh, there were soaring flames going on behind them, but at least they had the front of the stage to themselves.

I haven’t been into country music since the inglorious end of my drinking days, but Keith Urban made me feel better for a few minutes and Kelly Clarkson sang her heart out and, hell, I’ll say it, maintained her dignity.

Anyways, back to Adam Lambert. See, I fell for him when he sang Mad World on American Idol. His voice made me catch my breath and come to a full stop as I was passing through the living room and I didn’t breathe again until he finished the song. He moved me to the extent that I watched AI every week after that and when he didn’t win, I felt almost as bad about America as I did the night Bush got re-elected. I’m not saying that makes much sense, but there you go.

Then, last night? Didn’t like the song, couldn’t hear it in fact, thought the S&M and sex stuff was stupid, wished to hell he’d stand still for a second and just sing, and his eye make-up was all wrong. He glared at the camera at the end of his song and his eyes looked crossed.

So the thing is, is I must be old. Am I old and easily shocked? Not so much. After all, men and women were naked on stage together in Hair in 1967. The Boys in the Band premiered in 1968. Do I sound crotchety? Ah, hell. I suppose I do.

I haven’t lost faith in Adam Lambert. Well I’ve lost some faith, but not all. I think he can do it. No, I know he can because of the performances he gave last spring. Glambert can stir hearts, connect, create moments that are really worth sharing with everyone. Yep, everyone. Does he want to do that? Can’t say, really. I’ve heard, though, that he only wants to be a Pop star. Damn.

Nonnie Augustine

The Dice are Not to Blame

The Dice are Not To Blame

Ted swam far from shore with a bar of lead.
He loved it, you see, until he drowned dead.
Mick had a trick of giving his money
to heartless bosoms that called him honey.
Sharon kept caring for drinkers and dopers
gamblers and cheaters and whiners and mopers.
Benny saw double and never could tell
which one had substance and which was a shell.
Mick, Benny, Sharon, and poor dead Ted
had luck that sucked they frequently said.
I didn’t agree and suggested instead
that they didn’t have to sink; they could listen to me,
and let go of their lead when they swam in the sea.

Nonnie Augustine