I never did post a blog in May,
although I intended to. So right off the
June bat, here are two short fictions for the book I’m working on when I’m not
working on the other book because sometimes a poetry person just wants to write
prose, you know? This new one is going to be titled “Women in Cities,” and it
is indeed about women in cities or at least, big towns.
Across a Cozy Room
I was staying at The Green Hollow House, not the most frugal
choice I could have made, but I believe that sometimes a few extra dollars a
night is worth the stretch. This guest house was splendid compared to the one
I’d had the summer before, with the pipistrelles zig-zagging just over my head
every time I stepped outside in the evening. My bed was tucked under sloping eaves, from my
desk I had a view of the Stratford-upon-Avon town center, and since I was there
in the Royal Shakespeare Theater’s off-season and before any sunshine at all
could be counted on, the house was fairly quiet. I didn’t mind the January weather or short
days and long nights because I was in Stratford to do research. The less
tempting walks along the River Avon were, the more work I’d get done.
My plan was to spend my days reading original source
material, wherever I found it in the region, and nights at my computer. All
this eyestrain would someday lead to a Ph.D. (my thesis was on the outbreak of
the bubonic plague in 1596—the one that took Will and Ann’s eleven year old,
Hamnet) and then a plummy teaching job to keep me going. When I had time off
I’d travel to sunny places; clown around with Italians, dance with Greeks.
As it happened, I got almost no scholarly work done
whatsobloodyever, as I get a kick out of saying. Another American, a scientist who studied
bats and was taking observations and photos of their hibernation roosts, took a
table at my B&B every morning. He’d turned a rented artist’s studio into
his lab and his kitchen was completely repurposed. So he walked across the
cobbled street to eat my hosts’ excellent English breakfasts. I don’t think my
thesis had a chance. I fell for this guy immediately. No, I mean it. The first
meeting of our eyes, over plates of eggs, stewed tomatoes, sausage, beans, and
in his case kippers, and I was done and dusted. His eyes were neither large nor
small, eyelashes as usual, one of those blues that could tend to green with the
right clothes, but they radiated heart-stopping kindness, generosity, humor,
and warmth.
At least, I think they did. Maybe not. Maybe I didn’t get
all that from the moment we met. Could be a case of hindsight, eh? I am sure
that by the time I met Andrew, I had long been aware that I was starving for
more grace in my life. I’d been needing to drink from the cup of abundant love.
The stereotypical history drudge who muddles along through their first decade
or so of adulthood with their nose in musty tomes, brain thick with academic
jargon, was, like stereotypes of all kinds, flawed, shallow, stupid and not, I
knew from tip to toe, not me. This is a happy-ending story. I saw the future
that cold morning in that doing-the-sixteenth-century-to-death town, whilst nibbling
my fry-up.
***
4:45pm, Philadelphia
He stays a couple of yards behind me as we slog
uphill. I try to diffuse the tension with a coy toss of head, slip on wet
leaves. My ankle rolls and I splat noisily down. From my new angle his beard
looks less stylish—bristles straggle all up his neck. He maintains a
steely-eyed glare but handsomely offers his hand and I'm glad he's wearing
leather gloves because my own hand is filthy with bits of gravel and gutter
stuff. He grunts as he pulls me up. (I'm heavier than I look.) I curse in
Swedish and he looks startled. My crappy orthostatic hypotension kicks in and,
whooshing, I swoon into his arms. I catch his smirk and try to throw it back
but I'm too dizzy. He pushes me down onto a nearby row house stoop, and forces
my head between my knees. I rest, take stock. I feel better, almost crafty, and
stand up, carefully. With a grim wave of his iron gray gun he points toward the
bridge in the dim mist up the hill. I slink on, again ahead of him, plotting. I
try again to diffuse the tension with a coy toss of head, slip on wet leaves,
my ankle rolls, and I splat but less noisily. From my new angle the Russian's
beard looks silly. He rolls his eyes but offers his hand. As he pulls me up I
knee him, kick the gun out of his hand as he goes down on the wet, slimy,
leafy, sidewalk. The gun goes off, hits nothing that I'm aware of. The bastard
curses in English, (he's been deep cover) glowers up at me. I pick up the gun
and gloat in Swedish.
1 comment:
"sometimes a poetry person just wants to write prose, you know?"
You are a good prose writer too, multi-talented so why not.
Enjoyed both, favored the second story.
Elizabeth G.
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